Robert Huber, René Steffens, Susanna Neunast, SAXA und der Gewinner des A13ID-Wettbewerbs Johan Wahlstrom zeigen aktuelle Arbeiten.

Nicht verpassen! Tragen Sie sich jetzt die Termine für die Ausstellung ein. Erste Informationen zur Ausstellung und den Künstlern finden Sie auf www.artishere.de. – Die Einladung folgt Anfang März.

• Vernissage
  Sonntag, Mar-24 2013
  16:00 – 20:00 h
• Finissage
  Freitag, Apr-26 2013
  18:00 – 24:00 h
• Ausstellungsort
  Art is here. – PopUp Exhibitions
  c/o liebe glaube hoffnung
  Dürenstrasse 1 · 53173 Bonn-Bad Godesberg
  maps.google.de
• Öffnungszeiten
  Die Ausstellung beginnt am 24. März und kann bis zum 26. März 2013 besucht werden. Wenn Sie die Arbeiten unabhängig von den vorgegebenen Terminen besichtigen möchten, rufen Sie bitte an: liebe glaube hoffnung, Telefon 0228 95116-0

Die Galeristen zeigen spannende aktuelle Kunst und wollen neue Publikumsschichten mit Hilfe eines reichhaltigen Angebots an Beiprogrammen, wie beispielsweise Performances, Konzerten oder Buchvorstellungen, begeistern.

An vielen Standorten ist neben geistiger Nahrung auch für das leibliche Wohl zum Durchhalten des Kunstmarathons gesorgt.

Die Besucher werden mit einem Shuttle-Service in regelmäßigem Takt zu den Galerien geleitet. Viel Spaß macht es aber auch, mit dem Fahrrad die Standorte, besonders im Villenviertel von Bad Godesberg, zu entdecken.

• Galerie Judith Andreae
  Judith Andreae
  Paul-Kemp-Strasse 7
• Art is here. – PopUp Exhibitions
  c/o liebe glaube hoffnung
  Dürenstrasse 1 (Ecke Königsplatz)
• CRAFTkontor – Galerie für
  angewandte Kunst und Kunsthandwerk
  Annegret Portsteffen
  Koblenzerstrasse 35 (Eingang Bürgerstraße)
• Galerie DUO Bilder & Rahmen
  Bernd Bentler
  Beethovenallee 5
• Kunsthandlung Kessel
  Ilona Böhm
  Friesdorfer Strasse 23
• Kunstkabinett S.M. – aktuelle Kunst
  Friesdorfer Strasse 100
• Kunstverein Bad Godesberg
  Ingrid Gahl und Dr. Elmar Hucko
  Burgstrasse 85
• Galerie Carla Reul
  Carla Reul
  Dürenstrasse 9
• Rheingalerie Bonn
  Christiane Obermann und Axel Burkhard
  Dollendorfer Strasse 11
• Galerie Schön
  Franz Schön und Eva Mertes
  Löbestrasse 1

While normally very seclusive and incredibly media shy, recently, the murky sea of intrigue that normally surrounds the Swedish duo has started to clear…

In the last month The Knife have; announced a new album, ‘Shaking the Habitual’ (which also happened to be their first Facebook post since they added a cover photo last March), announced a European tour (their first live shows in about 6 years, sold out in about 6 minutes), and as of last monday, given the hungrily awaiting masses a glimpse at their new sound with the release of their first “single” Full of Fire. If you can call the beautifully brutal, anxiety inducing, 9 minute, industrial assault on the eardrums that is Full of Fire a single. Intrigued? I haven’t even mentioned the disorientating and confrontational short film by Swedish, feminist porn director Marit Östberg that accompanies it. Well, it’s best you experience that for yourself. Maybe you can see why we’re more excited about The Knife than ever right now, or maybe you just think we’re mad…

What can you say about The Knife? I guess you could say that they are, in a word, unpredictable…

You can check out the videos for the new single ‘Full of Fire’ (be warned, it’s not exactly safe for work…) and an old single ‘Silent Shout’ (kind of safe for work) below, and if thats got you interested you can find out more and pre-order their new album here:
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The Knife’s back catalogue is available from their label, Rabid Records, or from the iTunes store:

• The Knife – Discography (2001-2013)

Der Künstler macht uns sichtbar was in unserer konstruierten Welt an realen Möglichkeiten veränderbar ist, aber nicht ausgeführt wird und somit nicht erfassbar ist.

Benoit Tremsal zeigt uns verborgene Strukturen und Korrespondenzen, stellt sie in Frage und zeigt die Realität als nicht abgeschlossenen Raum. Wasser, Erde, Steine, Gegenstände, Pflanzen: Das Material, ob neu oder gebraucht, ist das passende und geeignete für seine Arbeiten, weil es den bearbeiteten Zusammenhängen und den damit verbundenen Denk-Konstrukten entstammt.

 
Ausstellungen

Norbert Huwer ist 1947 in Homburg/Saar geboren. Nach dem Abitur hat er bei den Professoren Klaus Arnold (Malerei und Grafik) und Wilhelm Loth (Skulptur und Kunststoffbearbeitung) an der Karlsruher Akademie der Bildenden Künste studiert.

Bereits im Studium experimentierte er mit der Bemalung transparenter Folien. Nach Verlassen der Akademie entwickelte er zunächst dreidimensionale farbig bemalte Objekte aus mit transparentem Material bespannten Aluminiumstäben. In diesen meist frei im Raum schwebenden Gebilden treffen malerische und skulpturale Elemente zusammen und der sich bewegende Betrachter erfährt einen stetigen Wandel von Form und Farbe.

Exhibitions

 
Exhibitions

one quarter woman… half photographer(dare i say)..one quarter mother..the rest is madness The first time i held a camera that i remember was ‚an old instamatic‘ at Pontins in Blackpool circa 1976~that long hot summer. I spent most of the holidays chasing my muse (big sister )around trying to ‚capture‘ a photograph alas she was 14 and quite shy and sensitive. I found the polaroid experience a joyous adventure only adding to the whole summer vacation. At the grand old age of 17 my dad bought me a do-it -yourself , all-in-one photography kit~ which included:~ a Practica SLR , an enlarger, and developing kit.

The next few years i spent under the quilt in my bedsit/darkroom with taped up sun cracks winding films on to a reel. My later teenage years were filled with the fumes of photographic devloping hemicals~nice!. From then on i spent night after night practicing skills by photographing great photographers works from large books( i know its silly but true) and developing them myself to pinning my very handsome boyyfriend at the time down to get some cool black & whites, and accumulating great lampshades and wine bottles to photograph. Wherever i walked, i took the unscenic route, figuring the back streets and behind the scenes was far more ‚real man‘. Going to Paris as a gift for my 20th birthday really sealed my love for Photography, Paris and Photography go together like Milk & Honey.

Years passed and one day to raise funds for a bill i parted with my beloved SLR and to this day regret it , as i have kept all my cameras , even the compact wind~on cheapo i took with me to Australia for a year. Empty years of camera~less time passed and then just after the digital camera age was born i popped back on board my passion train and was reunited with a camera, a Sony Powershot~ not great but great for me at the time. Years of pent up image~less years burst forth and the camera was by my side constantly, i even took it to bed.

Ting-Tong Chang (b. 1982, Taiwan) received his MFA at Goldsmiths, University of London in 2011. Known in Taipei, where he organized numerous artistic interventions and events; as a graffiti artist, his artistic practice covers both street art and elements of traditional painting and sculpture.

His installations are marked with brevity and absurd objects, getting to the core of contemporary problems: globalization stimulated by the developments in technology, blurred boundaries between nations, or the omniscient fear of terrorism that we are already accustomed to. Freely and with a wicked dose a black humor, Chang toys with such concepts as death, war, and mass destruction, which have become ingrained in today‘s world. Chang lives and works in London.

The ‘liebe glaube hoffnung’ agency additionally selected Ting-Tong-Chang as a wildcard entry.

Born 1959 in Stockholm Sweden.
I paint to keep myself insane.
I paint anxiety to be calm.
I paint war to have peace.
I paint sadness to be happy.
I paint the dark to be in the light.
I paint death to be alive.
I paint a story so that I don‘t have to tell a story.

 
Exhibitions